Grease: Live - Wikipedia. Grease: Live is a television special that was originally broadcast by Fox on January 3.
It was a live, televised remake of the 1. Grease, produced by Marc Platt, directed by Thomas Kail, and starring Julianne Hough, Aaron Tveit, Vanessa Hudgens and Carlos Pena. Vega. Patterned on similar live television musicals that had recently been produced by NBC, the production incorporated elements and songs from both the original stage musical and the 1. Grease, as well as additional songs that were not present in either. In an effort to emulate the "energy" of a theatrical setting, live audiences were incorporated into the production's stagings. Grease: Live was broadcast from Warner Bros. Studios, utilizing two soundstages and the studio's outdoor backlot—the usage of the latter was notably affected by rain in the Los Angeles area on the day of the broadcast. Critical reception was positive, with particular praise to the overall atmosphere and production style of the presentation, as well as the performances of the cast, particularly Hudgens as Betty Rizzo—the special was dedicated in the memory of Hudgens' father, who had died from cancer one day prior to the broadcast. The special was nominated for ten Primetime Emmy Awards and won a total of five including Outstanding Special Class Program. History[edit]Announcement and casting[edit]On April 2. Fox announced that it had partnered with Paramount Television to produce a live, three- hour televised adaptation of the 1. Grease in 2. 01. 5.[2] The move came in the wake of similar live musical adaptations that had been produced by NBC, such as The Sound of Music Live! Peter Pan Live![2][3]On January 1. Fox officially announced that Julianne Hough had been cast as Sandy and Vanessa Hudgens as Rizzo and that the special would air on January 3. Entertainment Weekly reported that the special had been delayed from its original target of Summer 2. On May 2. 8, 2. 01. Keke Palmer would join the broadcast as Marty Maraschino, one of the Pink Ladies.[4] On July 9, it was announced that Aaron Tveit would star as Danny Zuko in the live TV broadcast, and Carlos Pena. Vega would play the role of Kenickie.[5] On September 3. Carly Rae Jepsen, Kether Donohue, and David Del Rio would play Frenchy, Jan, and Putzie, respectively.[6] On November 6, it was announced that Jordan Fisher, Andrew Call and Yvette Gonzalez- Nacer would join the cast as Doody, Sonny and Cha- Cha, respectively.[7]Production[edit]Director Thomas Kail envisioned Grease: Live as being a "combination" of elements from the original musical and the 1. Grease.[8] For instance, the production incorporated songs that were created for the film version, such as a performance of its theme song "Grease (Is The Word)" by Jessie J, "You're the One That I Want", and "Hopelessly Devoted to You", as well as songs that were exclusive to the stage version, such as "Freddy, My Love" and "Those Magic Changes".[9] Kail explained that "very early on as I started imagining what this could be, talking to Marc Platt, our executive producer, and the folks at Paramount, one of the things we really were very focused on was trying to capture the spirit of both the original companies of Grease and that film that has left such an indelible impression on all of us. To try to honor that and pay homage to something that has moved us and we have such a great affection for, and then try to make our own version of it."[1. The production also contained several new songs including the original, "All I Need Is an Angel", which was written for the character of Frenchy (Carly Rae Jepsen) by Tom Kitt and Brian Yorkey of Next to Normal fame.[9]Joe Jonas's band DNCE made a cameo appearance as Johnny Casino and The Gamblers during the Rydell High dance where they performed The Crickets' "Maybe Baby", as well as a 1. Cake by the Ocean" in addition to "Born to Hand Jive" from the stage version and "Rock and Roll Is Here to Stay" which was previously only part of the film version. In an interview with Rolling Stone, Jonas explained that the band was approached by the producers for the role following a concert they had performed in New York City.[1. Grease: Live was broadcast from Warner Bros. Burbank, California, using two soundstages, half of its backlot, and 4. Set designer David Korins explained that the medium of a live, television musical would "really show off what theater does best, and also what film and television does best", having constructed a self- contained "cafegymatorium" set that is designed to provide an "immersive", 3. Grease: Live was presented to live studio audiences at each of the three filming locations, who were also directly integrated into relevant scenes as extras on- stage, such as in crowds. Kail explained that he wanted to capture the "feeling" of the audiences at live stage productions, as there was "an energy and an undeniable vitality that real humans give back to real humans that are performing". The Hollywood Reporter believed that the use of live audiences would help to stylistically distinguish Grease: Live from the NBC live musicals that it was patterned after.[1. The price of a 3. Grease: Live was set between $3. Coca- Cola was signed on as a major sponsor of the special; the sponsorship included product placement of classic Coca- Cola signage and beverages within the special (such as on a vending machine and on the diner set), and sponsored social media content.[1. In order to be appropriate for broadcast television and to appease advertisers, several songs were edited for content; Platt stated that his goal was to make Grease: Live a "family- friendly" show, but still wanted to maintain "the appropriate edge" the musical required. Among the edits, "Greased Lightnin'" changed the lyrics "the chicks'll cream" to "the chicks'll scream" and "pussy wagon" to "dragon wagon", while the Italian profanity "fongool" was replaced with "be cool" within "Look At Me, I'm Sandra Dee".[1. Weather issues[edit]The use of outdoor sets for portions of the production led to concerns that it could be affected by weather, especially in the wake of forecasts calling for a 1. Kail stated that the production did have contingency plans in the event of rain, while Platt stated that his team had considered the possibility of rain into its plans for "many months", and that while safety was the highest priority, the show would still go on, rain or shine.[1. While prepared for the possibility of rain, wind was also a major factor: at around 3: 0. PT, an hour before the telecast went live, Platt was informed that a particular structure on the outdoor set could not be used for safety reasons. By 3: 4. 0 p. m. PT, while the team was in the process of re- staging the opening number to exclude the structure, the rain and wind passed, and engineers cleared the use of the structure—allowing a return to the original staging.[1. The broadcast would ultimately feature references to the conditions: emcee Mario Lopez jokingly introduced "El Niño" as being a "special guest", while the opening number, "Grease (Is the Word)", was performed with the cast holding umbrellas,[1. Rydell High, Principal Mc. Gee (Ana Gasteyer) quipped, "Let's just hope it doesn't rain."[1. Death of Greg Hudgens[edit]On the day of the broadcast, Vanessa Hudgens announced on Twitter that her father, Greg, had died of cancer the night before, and that she would dedicate her performance in Grease: Live to his memory.[2. Platt told Entertainment Weekly that he was "fiercely proud" of Hudgens' handling of the situation, describing her as a "very determined young woman" who "knows that the show has to go on, as any actor of the theater or in a live event knows. So she decided she would take her feelings of loss and sadness and put them in a box for that afternoon, that she would use them to fuel her performance and she would do it in honor of her father."[1. '/videos/search?format=&mkt=&q=Grease%3a+Live!&ru=%2fsearch%3fformat%3d%26mkt%3d%26q%3dGrease%253a%2bLive!&view=detail&mmscn=vwrc&mid=E5CAB0D7343DA324094BE5CAB0D7343DA324094B&FORM=WVFSTD' h='ID=SERP,5842.1'>Watch video · A new teaser for Grease: Live is here, and it's electrifying! On Tuesday, Fox revealed the first promo for the live musical production, just one day after giving fans. Additionally, Fox and Paramount allowed the production to be dedicated in memory of Greg; Platt went on to say that "the cast was behind her and we all joined hands and said, 'We're going to live in this moment. Sometimes life interferes. But you have all worked so hard for this moment and we're going to go for it.'"[1. Main cast[edit]Pink Ladies[edit]T- Birds[edit]Special Guests[edit]Musical Guests[edit]Other Characters[edit]Ensemble[edit]Carly Bracco. Featuring a young ensemble cast, GREASE: LIVE will reintroduce and reimagine some of the show’s most memorable moments, great music and timeless love story to an. Gregory Haney. Harley Jay. Chris Meissner. Tiana Okoye. Kayla Parker. Dominic Pierson. Cailan Rose. Dancers[edit]Soundtrack[edit]The official soundtrack album, Grease: Live - Music from the Television Event, was released on January 3. Paramount Pictures.[3. The Target edition, including four bonus tracks, was released on March 4.[3. In the show, 2. 3 songs were performed, but only 1. Alma Mater" (performed by Ana Gasteyer and Haneefah Wood), "Summer Nights (Reprise)" (performed by Julianne Hough and Aaron Tveit), "Mooning" (performed by DNCE) and the medley "Rydell Fight Song" / "Cheerleading Tryouts" (performed by Elle Mc. Lemore and Julianne Hough) were not included in any version of the album.[3. Track listing[edit]Commercial performance[edit]The album debuted at number 3. US Billboard 2. 00,[4. It also debuted at number 1 the same week on the Top Album Sales chart.[4. Reception[edit]Critical reception[edit]Grease: Live received mostly positive reviews. Review aggregator Rotten Tomatoes listed the special with a 9. Grease: Live took the pressure and threw away conventionality - - it belongs to yesterday. There was a chance that it could make it so far; we started believin' we can be who we are. Grease: Live is the word."[4. Metacritic listed a weighted average of 7. Megan Vick of TV Guide felt that Kail had "upped the standard" for live television musicals, and had "successfully managed to combine all the nostalgic elements of Grease that everyone expected while creating a new experience. The set changes and scale of what they were able to accomplish—in a rainstorm no less—were incredibly impressive.
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